Thügina advertisement created by Söre Popitz, 1925. Image via Bauhaus Dessau Foundation.
","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":305,"viewport_phone_portrait":{"x":25,"y":1120,"w":270,"h":13,"z":305,"hidden":false,"blocksMeta":[{"key":"52l0a","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":3}}}],"entityMap":{},"styles":[{"key":"52l0a","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"bgColor":"ffffff00","columns":{"count":1,"gap":16}},"name":"","viewport_tablet_portrait":{"h":14},"bgColor":"ffffff00","blocks":[{"key":"52l0a","text":"Elizabeth typeface.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"52l0a","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"52l0a","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"__v":0},{"_id":"65e1df31a0ca9c0035452b3a","wid":"65e1df31a0ca9c0035452b3a","mag_num_id":4652274,"type":"text","x":147,"y":1600,"w":220,"h":34,"text":"Cover for die neue Linie magazine created by Söre Popitz, 1931. Image via Bauhaus Dessau Foundation.
","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":306,"viewport_phone_portrait":{"x":25,"y":1990,"w":270,"h":34,"z":306,"hidden":false,"blocksMeta":[{"key":"8ves4","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"entityMap":{},"styles":[{"key":"8ves4","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"bgColor":"ffffff00","columns":{"count":1,"gap":16}},"name":"","viewport_tablet_portrait":{"h":34},"bgColor":"ffffff00","blocks":[{"key":"8ves4","text":"Prisma pattern for Penguin music scores designed by Elizabeth Friedlander, 1954. Paint on paper. Collection of University College Cork. Photo: Sam Moore. ","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"8ves4","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"8ves4","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"hidden":false,"__v":0},{"_id":"65e1df31a0ca9c0035452b3b","wid":"65e1df31a0ca9c0035452b3b","mag_num_id":4652274,"type":"text","x":402,"y":1600,"w":221,"h":34,"text":"Cover for the brochure und die Frau... created by Söre Popitz, 1934. Image via Bauhaus Dessau Foundation.
\n\n
","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":307,"viewport_phone_portrait":{"x":25,"y":2390,"w":270,"h":34,"z":307,"hidden":false,"blocksMeta":[{"key":"964h0","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"entityMap":{},"styles":[{"key":"964h0","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"bgColor":"ffffff00","columns":{"count":1,"gap":16}},"name":"","viewport_tablet_portrait":{"h":34},"bgColor":"ffffff00","blocks":[{"key":"964h0","text":"Cover of Penguin’s Progress Eleven publicity booklet & in-house magazine designed by Elizabeth Friedlander, 1950. Collection of niversity College Cork. Photo: Sam Moore.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"964h0","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"964h0","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"__v":0},{"_id":"65e1df31a0ca9c0035452b3c","wid":"65e1df31a0ca9c0035452b3c","mag_num_id":4652274,"type":"shape","x":5,"y":4,"w":1014,"h":1696,"tp":"rectangle","bg_color":"FFFFFF","bg_opacity":1,"color":"ffffff","opacity":1,"borders":0,"radius":10,"sides":3,"weight":1,"stroke":"solid","z":301,"name":"","hidden":false,"radius_rect_bl":10,"radius_rect_br":10,"radius_rect_tl":10,"radius_rect_tr":10,"originId":"65ca17df27524d001aec2d6b","viewport_phone_portrait":{"x":10,"y":10,"w":300,"h":2480,"bg_color":"FFFFFF","borders":0,"weight":1,"z":301,"hidden":false},"__v":0},{"_id":"65e1df31a0ca9c0035452b3d","wid":"65e1df31a0ca9c0035452b3d","mag_num_id":4652274,"type":"text","x":530,"y":45,"w":474,"h":280,"version":3,"z":308,"name":"Designing women An attempt to collect, visualise and communicate the role of women in graphic design and the challenges they continue to face.","bgColor":"ffffff00","blocks":[{"key":"2qn19","text":"Elizabeth Friedlander (1903–1984) worked across a range of media from brochures and patterns to calligraphy and clandestine publishing, but she is most known as the first woman to design a typeface.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"2qn19","data":{"textStyle":"style-e5e5088f-75aa-4213-8267-71e0f379aa68","lineHeight":40}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"2qn19","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":21,"styles":["0;0"]},{"offset":21,"length":177,"styles":["0;1"]}],"keys":["COLOR"],"values":["6600B464","00000064"]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"text":"","autosize":true,"originId":"65ca17df43010500511bbe41","viewport_phone_portrait":{"x":25,"y":275,"w":270,"h":330,"z":308,"bgColor":"ffffff00","blocksMeta":[{"key":"2qn19","data":{"textStyle":"style-86029560-9a50-41a1-b0dc-ab432de6b929"}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"2qn19","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":21,"styles":["0;0"]}],"keys":["COLOR"],"values":["6600B464"]}}]},"__v":0},{"_id":"65e1df31a0ca9c0035452b3e","wid":"65e1df31a0ca9c0035452b3e","mag_num_id":4652274,"type":"text","x":147,"y":190,"w":127,"h":14,"text":"
Eileen Gray, 1927. Photo by Berenice Abbott. © Getty images.
\n","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":309,"name":"","bgColor":"ffffff00","blocks":[{"key":"5jqqs","text":"Elizabeth Friedlander.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"5jqqs","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"5jqqs","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"viewport_phone_portrait":{"x":25,"y":210,"w":130,"h":14,"z":309,"bgColor":"ffffff00","blocksMeta":[{"key":"5jqqs","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"5jqqs","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}]},"__v":0},{"_id":"65e1df31a0ca9c0035452b3f","wid":"65e1df31a0ca9c0035452b3f","mag_num_id":4652274,"type":"text","x":530,"y":344,"w":474,"h":80,"text":"
1878–1976
\nEileen Gray was an interior designer and architect of Irish origin, though she spent most of her life in France creating modernist furniture and interiors. As curator Cloé Pitiot puts it, “If one can say Le Corbusier is one of the fathers of modernity, then one can say Eileen Gray is one of the mothers of modernity.” In 1972, a retrospective exhibition, Eileen Gray: Pioneer of Design, was held in London.
","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":310,"name":"","bgColor":"ffffff00","blocks":[{"key":"b1feh","text":"Born in Berlin, Elizabeth was forced to exchange Germany for Italy in 1936, then went through an unsuccessful attempt to apply for an American visa. She eventually lived in London, before retiring to Kinsale, Ireland.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"b1feh","data":{"textStyle":"style-f185777e-b551-4905-b901-a57f73a0c194","lineHeight":20}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"b1feh","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":217,"styles":["0;0","1;1","2;2"]}],"keys":["FONT_STYLE","FONT_WEIGHT","FONT_SIZE"],"values":["normal","500","15"]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"sticked":"","viewport_phone_portrait":{"x":25,"y":624,"w":270,"h":120,"z":310,"bgColor":"ffffff00","blocksMeta":[{"key":"b1feh","data":{"textStyle":"style-f185777e-b551-4905-b901-a57f73a0c194","lineHeight":20,"paddings":{}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"b1feh","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":217,"styles":["0;0","1;1","2;2"]}],"keys":["FONT_STYLE","FONT_WEIGHT","FONT_SIZE"],"values":["normal","500","15"]}}],"sticked":""},"__v":0},{"_id":"65e1df31a0ca9c0035452b40","wid":"65e1df31a0ca9c0035452b40","mag_num_id":4652274,"type":"text","x":530,"y":964,"w":474,"h":280,"text":"1878–1976
\nEileen Gray was an interior designer and architect of Irish origin, though she spent most of her life in France creating modernist furniture and interiors. As curator Cloé Pitiot puts it, “If one can say Le Corbusier is one of the fathers of modernity, then one can say Eileen Gray is one of the mothers of modernity.” In 1972, a retrospective exhibition, Eileen Gray: Pioneer of Design, was held in London.
","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":311,"name":"","bgColor":"ffffff00","blocks":[{"key":"b1feh","text":"In 1933, major Frankfurt type foundry Bauersche Giesserei asked Friedlander to create a font for them. She produced a typeface but was unable to name it Friedlander, as she had wished, because it was a recognizably Jewish name. The typeface was finally released in 1939 under the name Elizabeth, after Friedlander had already left Germany to escape the Second World War.\n\nAfter Germany, Friedlander moved to Italy and later to London where she worked with Jan Tschichold at Penguin Books doing pattern designs.\n\nFriedlander’s most famous works are perhaps the classic volumes of the 1950s and 60s—she designed for publishers like Penguin, Reader’s Digest and Mills & Boon.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"b1feh","data":{"textStyle":"style-f185777e-b551-4905-b901-a57f73a0c194","lineHeight":20}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"b1feh","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":672,"styles":["0;0","1;1","2;2"]}],"keys":["FONT_STYLE","FONT_WEIGHT","FONT_SIZE"],"values":["normal","500","15"]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"sticked":"","viewport_phone_portrait":{"x":25,"y":1174,"w":270,"h":420,"z":311,"bgColor":"ffffff00","blocksMeta":[{"key":"b1feh","data":{"textStyle":"style-f185777e-b551-4905-b901-a57f73a0c194","lineHeight":20,"paddings":{}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"b1feh","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":672,"styles":["0;0","1;1","2;2"]}],"keys":["FONT_STYLE","FONT_WEIGHT","FONT_SIZE"],"values":["normal","500","15"]}}],"sticked":""},"__v":0}]