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of Harper’s Bazaar US April 1965 issue art directed by Bea 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of Ms. issue from December 1972 directed by Bea Feitler","hidden":false,"blurHash":"UHMr;m--:ux={Vn+W-Sw{CSeOlo1;SSwn+nl","originId":"65d395f79f565f0068a04c87","__v":0},{"_id":"65e1df31a0ca9c0035452aea","wid":"65e1df31a0ca9c0035452aea","mag_num_id":4652274,"type":"text","x":147,"y":899.22,"w":348,"h":14,"text":"<p class=\"paragraph-4\" style=\"padding-top: 12px;\"><span><span>Thügina advertisement created by Söre Popitz, 1925. Image via Bauhaus Dessau Foundation.</span></span></p>","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":304,"viewport_phone_portrait":{"x":25,"y":1120,"w":270,"h":13,"z":304,"hidden":false,"blocksMeta":[{"key":"52l0a","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":3}}}],"entityMap":{},"styles":[{"key":"52l0a","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"bgColor":"ffffff00","columns":{"count":1,"gap":16}},"name":"","viewport_tablet_portrait":{"h":14},"bgColor":"ffffff00","blocks":[{"key":"52l0a","text":"Cover of Harper’s Bazaar US April 1965 issue art directed by Bea Feitler.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"52l0a","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"52l0a","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"originId":"65d395f79f565f0068a04c88","__v":0},{"_id":"65e1df31a0ca9c0035452aeb","wid":"65e1df31a0ca9c0035452aeb","mag_num_id":4652274,"type":"text","x":147,"y":1579.37,"w":220,"h":14,"text":"<p class=\"paragraph-4\" style=\"padding-top: 12px;\"><span style=\"color: #ffffff;\"><span>Cover for die neue Linie magazine created by Söre Popitz, 1931. Image via Bauhaus Dessau Foundation.</span></span></p>","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":305,"viewport_phone_portrait":{"x":25,"y":1990,"w":270,"h":14,"z":305,"hidden":false,"blocksMeta":[{"key":"8ves4","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"entityMap":{},"styles":[{"key":"8ves4","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"bgColor":"ffffff00","columns":{"count":1,"gap":16}},"name":"","viewport_tablet_portrait":{"h":14},"bgColor":"ffffff00","blocks":[{"key":"8ves4","text":"Сover of Ms. issue from December 1972.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"8ves4","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"8ves4","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"hidden":false,"originId":"65d395f79f565f0068a04c89","__v":0},{"_id":"65e1df31a0ca9c0035452aec","wid":"65e1df31a0ca9c0035452aec","mag_num_id":4652274,"type":"shape","x":5,"y":4,"w":1014,"h":1656,"tp":"rectangle","bg_color":"FFFFFF","bg_opacity":1,"color":"ffffff","opacity":1,"borders":0,"radius":10,"sides":3,"weight":1,"stroke":"solid","z":301,"name":"","hidden":false,"radius_rect_bl":10,"radius_rect_br":10,"radius_rect_tl":10,"radius_rect_tr":10,"originId":"65d395f79f565f0068a04c8a","viewport_phone_portrait":{"x":10,"y":10,"w":300,"h":2430,"bg_color":"FFFFFF","borders":0,"weight":1,"z":301,"hidden":false},"__v":0},{"_id":"65e1df31a0ca9c0035452aed","wid":"65e1df31a0ca9c0035452aed","mag_num_id":4652274,"type":"text","x":530,"y":45,"w":474,"h":240,"version":3,"z":306,"name":"Designing women An attempt to collect, visualise and communicate the role of women in graphic design and the challenges they continue to face.","bgColor":"ffffff00","blocks":[{"key":"2qn19","text":"Beatriz (Bea) Feitler (1938–1982) was a Brazilian graphic designer who worked for Harper’s Bazaar, Ms., Rolling Stone, and a number of other magazines.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"2qn19","data":{"textStyle":"style-e5e5088f-75aa-4213-8267-71e0f379aa68","lineHeight":40}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"2qn19","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":21,"styles":["0;0"]},{"offset":21,"length":130,"styles":["0;1"]}],"keys":["COLOR"],"values":["6600B464","00000064"]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"text":"","autosize":true,"originId":"65d395f79f565f0068a04c8b","viewport_phone_portrait":{"x":25,"y":305,"w":270,"h":240,"z":306,"bgColor":"ffffff00","blocksMeta":[{"key":"2qn19","data":{"textStyle":"style-86029560-9a50-41a1-b0dc-ab432de6b929"}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"2qn19","type":"unstyled","inlineStyles":{"styles":[{"offset":0,"length":21,"styles":["0;0"]}],"keys":["COLOR"],"values":["6600B464"]}}]},"__v":0},{"_id":"65e1df31a0ca9c0035452aee","wid":"65e1df31a0ca9c0035452aee","mag_num_id":4652274,"type":"text","x":147,"y":190,"w":127,"h":44,"text":"<p style=\"padding-top: 12px;\" class=\"paragraph-4\"><span>Eileen Gray, 1927. Photo by Berenice Abbott. © Getty images.</span></p>\n<p style=\"padding-top: 12px;\" class=\"paragraph-4\">&nbsp;</p>","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":307,"name":"","bgColor":"ffffff00","blocks":[{"key":"5jqqs","text":"Bea Feitler. We haven’t established the author of this image. Please contact us if you are the rights owner.","entityRanges":[],"depth":0}],"blocksMeta":[{"key":"5jqqs","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"5jqqs","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}],"verticalAlign":"top","flags":{"updatedLinks":true},"autosize":true,"viewport_phone_portrait":{"x":25,"y":210,"w":130,"h":44,"z":307,"bgColor":"ffffff00","blocksMeta":[{"key":"5jqqs","data":{"textStyle":"style-28851233-3025-4a88-a373-7b0bc2a64f0e","paddings":{"top":4}}}],"columns":{"count":1,"gap":16},"entityMap":{},"styles":[{"key":"5jqqs","type":"unstyled","inlineStyles":{"styles":[],"keys":[],"values":[]}}]},"originId":"65d395f79f565f0068a04c8c","__v":0},{"_id":"65e1df31a0ca9c0035452aef","wid":"65e1df31a0ca9c0035452aef","mag_num_id":4652274,"type":"text","x":530,"y":304.41,"w":464,"h":80,"text":"<p class=\"paragraph-2\" data-style-phone_portrait=\"padding-bottom: 0px; padding-top: 8px;\" data-class-phone_portrait=\"paragraph-94e864f2-cb3d-4456-bdec-3b3fc539c354\" data-size-leading-linked-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\"><span data-style-phone_portrait=\"letter-spacing: -0.6px;\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\"><span data-style-phone_portrait=\"empty\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\"><span style=\"letter-spacing: -5.2px;\" data-style-phone_portrait=\"empty\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\">1</span>878<span style=\"letter-spacing: -4.2px;\" data-style-phone_portrait=\"empty\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\">–1</span>976</span></span></p>\n<p class=\"paragraph-2\" data-style-phone_portrait=\"padding-bottom: 0px; padding-top: 0px;\" data-class-phone_portrait=\"paragraph-94e864f2-cb3d-4456-bdec-3b3fc539c354\" data-size-leading-linked-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\"><span data-style-phone_portrait=\"letter-spacing: -0.6px;\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\"><span data-style-phone_portrait=\"empty\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\">Eileen Gray was an interior designer and architect of Irish origin, though she spent most of her life in France creating modernist furniture and interiors. As curator Cloé Pitiot puts it, “If one can say Le Corbusier is one of the fathers of modernity, then one can say Eileen Gray is one of the mothers of modernity.” In <span style=\"letter-spacing: -4.2px;\" data-style-phone_portrait=\"empty\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\">1</span>972, a retrospective exhibition, Eileen Gray: Pioneer of Design, was held in London.</span></span></p>","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":308,"name":"","bgColor":"ffffff00","blocks":[{"key":"b1feh","text":"She was the first art director to feature a black model in a major fashion magazine. Bea was also a key figure behind the relaunch of Vanity Fair in the early 1980s. 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As curator Cloé Pitiot puts it, “If one can say Le Corbusier is one of the fathers of modernity, then one can say Eileen Gray is one of the mothers of modernity.” In <span style=\"letter-spacing: -4.2px;\" data-style-phone_portrait=\"empty\" data-class-phone_portrait=\"empty\" data-anchor-link-pos-phone_portrait=\"empty\" data-size-leading-ratio-phone_portrait=\"empty\" data-size-leading-linked-phone_portrait=\"empty\">1</span>972, a retrospective exhibition, Eileen Gray: Pioneer of Design, was held in London.</span></span></p>","column_count":1,"column_gap":16,"bg_color":"ffffff","bg_opacity":0,"version":3,"z":309,"name":"","bgColor":"ffffff00","blocks":[{"key":"b1feh","text":"In 1963, at only 25-years old, Feitler became an art director at the American Harper’s Bazaar. \n\nIn 1972, after 10 years at Bazaar, Feitler became an art director at Ms.—the magazine of the women's liberation movement. “In one sense, Feitler was always the original feminist,” recalls her longtime associate Carl Barile, who worked with her at Bazaar, Ms., and Rolling Stone. \n\nIn 1981–1982, Feitler was working closely with Condé Nast editorial director Alexander Liberman to create the prototype for a new incarnation of Vanity Fair. 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