Century Old Style
Sweet Sans


Why do they match?

The pairing of Century Old Style and Sweet Sans is a pairing of maximum contrasts. Unlike as they may be, each typeface seems to say to the other — Hey, look, I've got everything you haven’t! And they not only can get along well together but offer something very special in simply switching roles.

Sweet Sans Uppercase
Lowercase
Numbers & Symbols

Century Old Style Lowercase
Uppercase
Numbers & Symbols
Proportions
While very different in appearance, the faces do share some things — relatively large x-height and the similar length of the extenders. In all else, they differ significantly. Century's capitals are taller and narrower than Sweet's. Century tends to bunch its hanging elements, while Sweet lets them fall freely. Century's ascenders are the height of its capitals. Sweet's are taller.
Century and Sweet's capitals differ in width but are very similar in their proportions – both are regularly proportioned types. Century tends to frame its capitals in a narrow rectangle (with sides in an approximate relationship of 2x3), while Sweet's capitals tend to squareness. In the lowercases, both typefaces carry forward the intention announced in the capitals. Century seeks maximum compactness, while Sweet lounges comfortably across space. At the same time, unlike Sweet, whose lowercase letters are relatively equal in width, Century's lowercase letters include several notable exceptions: the letters -e- and -s- are wider than the others by just enough to stand apart distinctively in text-sizes.
Despite their important differences, both faces work very well as text type. Sweet has everything that a sans serif needs for comfortable reading. On the other hand, it is best to go with as large a Century as possible, for the Century image is not well adapted for showing on screens.
Details
Century Old Style is consistent in mixing a late-19th-century typeface with elements of letterforms from a century and more before. It does not draw the elements from a single model but blends elements from many. Sweet Sans, unlikeCentury, is a typeface with a direct connection to its prototypes — the engraving-likescripts of the late 19th and early 20th centuries.
About

Century Old Style
Sweet Sans
Morris Fuller Benton
1909
American Type Founders Company
Mark van Bronkhorst
2011
MVB Fonts
proxima nova
chaparral


Typography
Grid
Color
Animation
about
The Readymag Design Almanac is made with Readymag—an online graphics editor that enables the creation of interactive web projects without coding. Each chapter of the Almanac is prepared by Readymag’s editorial team in partnership with skilled professionals, exploring the fundamentals of contemporary design.
team
Curator
Designer
Managing curator
Diana Kasay
Editor (Typography)
Anton Terekhov
Editor (Grid)
Dima Demishvili
Editor (Color, Animation)
Tsvetelina Miteva
Translator
Howard Goldfinger
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