Century + Sweet Sans

Font Pairing

Century Old Style

Sweet Sans

Font pairing: Century Old Style + Sweet Sans

Why do they match?

The pairing of Century Old Style and Sweet Sans is a pairing of maximum contrasts. Unlike as they may be, each typeface seems to say to the other — Hey, look, I've got everything you haven’t! And they not only can get along well together but offer something very special in simply switching roles.

Sweet Sans

Sweet Sans Uppercase

 

Lowercase

 

Numbers & Symbols

Century Old Style

 

Century Old Style Lowercase

 

Uppercase

 

Numbers & Symbols

Proportions

 

While very different in appearance, the faces do share some things — relatively large x-height and the similar length of the extenders. In all else, they differ significantly. Century's capitals are taller and narrower than Sweet's. Century tends to bunch its hanging elements, while Sweet lets them fall freely. Century's ascenders are the height of its capitals. Sweet's are taller. 


Century and Sweet's capitals differ in width but are very similar in their proportions – both are regularly proportioned types. Century tends to frame its capitals in a narrow rectangle (with sides in an approximate relationship of 2x3), while Sweet's capitals tend to squareness. In the lowercases, both typefaces carry forward the intention announced in the capitals. Century seeks maximum compactness, while Sweet lounges comfortably across space. At the same time, unlike Sweet, whose lowercase letters are relatively equal in width, Century's lowercase letters include several notable exceptions: the letters -e- and -s- are wider than the others by just enough to stand apart distinctively in text-sizes.

 

Despite their important differences, both faces work very well as text type. Sweet has everything that a sans serif needs for comfortable reading. On the other hand, it is best to go with as large a Century as possible, for the Century image is not well adapted for showing on screens.

 

 

Details

 

Century Old Style is consistent in mixing a late-19th-century typeface with elements of letterforms from a century and more before. It does not draw the elements from a single model but blends elements from many. Sweet Sans, unlikeCentury, is a typeface with a direct connection to its prototypes — the engraving-likescripts of the late 19th and early 20th centuries.

 

About

Century Old Style

Sweet Sans

 

 

Morris Fuller Benton

1909

American Type Founders Company

Mark van Bronkhorst

2011

MVB Fonts

Proxima Nova + Chaparral

Font Pairing

proxima nova

chaparral

Design School

ru  / eng

Design Almanac

Typography

Grid

Color

Animation

about

The Readymag Design Almanac is made with Readymag—an online graphics editor that enables the creation of interactive web projects without coding. Each chapter of the Almanac is prepared by Readymag’s editorial team in partnership with skilled professionals, exploring the fundamentals of contemporary design.

team

 

Curator

Anton Herasymenko

 

Designer

Zhdan Philippov

 

Managing curator

Diana Kasay

 

Editor (Typography)

Anton Terekhov

 

Editor (Grid)

Dima Demishvili

 

Editor (Color, Animation)

Tsvetelina Miteva

 

Translator

Howard Goldfinger

 

Advisors

Type Journal

 

 

 

team

 

Curator

Anton Herasymenko

 

Designer

Zhdan Philippov

 

Managing curator

Diana Kasay

 

Editor (Typography)

Anton Terekhov

 

Editor (Grid)

Dima Demishvili

 

Editor (Color, Animation)

Tsvetelina Miteva

 

Translator

Howard Goldfinger

 

Advisors

Type Journal