Narkomfin building, 1930s

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Portrait of Ludwig Mies van der Rohe, 1934

Photo by Werner Rohde © Bauhaus Archive

 

annes Meyer was replaced as director (forced out because of Bolshevik sympathies) by Ludwig Mies van der Rohe. Like Gropius, Mies studied under Peter Behrens. He stayed away from politics but found himself confronted by many challenges, some connected to the economic crisis of 1929, others arising from Dessau’s disaffection for the Bauhaus. The city eventually halted all aid to the school, lowering budgets significantly and initiating no further public commissions.


In 1931 Hannes Meyer, along with a team of other architects, moved to the Soviet Union, aiming to realize revolutionary ideas but became quickly disillusioned and returned to Germany.

 

 

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Caricature of Hannes Meyer

 

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Corridors of Narkomfin building

 

ith the push to industrialize the country at fever pitch, there were shortages of specialists for industry. Institutions of higher learning were expected to produce them quickly. Vkhutemas’ hybrid structure (art/crafts) began to crack. A decree ordered the transfer of students from industrial and art departments to specifically industrial and art schools. The teachers and directors became forced to defend the notion of an architecture department as a creative discipline against the government’s repeated attempts to regard it as an engineering specialty.


Construction eventually ceased on the Finance Ministry complex. The design cast an enormous influence on Le Corbusier, whose famous Marseilles “residential unit” (1945) incorporates Moisei Ginzburg’s Type F plan.

 

 

 

Bauhaus Building, Berlin-Steglitz, 1932

Courtesy of Harvard Art Museums