i have always remained a child and never ceased asking: why? —bruno monguzzi


Bruno Monguzzi wearing glasses, looking at the camera

the mirror method

In 1991, Monguzzi designed a poster for an exhibition of the work of abstract painter Florence Henri. For the poster Monguzzi used actual mirrors. In a way, he was copying Henri’s own favourite method—the artist often created illusory spaces, based on the interplay of real objects and their reflections. Monguzzi arranged a pair of mirrors, Henri’s portrait and a photocopy of it on a table. He observed the installation from a distance through a cut-out frame, as if through a camera lens, until he found the right “shot.”

 

our work is rather like that of the translator. a good translator enjoys reading, loves writing and perhaps rewrites a single phrase by shakespeare fifty times till it finally sounds shakespearean. it is no longer monguzzi, but shakespeare in italian. it took all knowledge, understanding, sensibility and culture. it took all of monguzzi for that text to become shakespeare. —bruno monguzzi