when throwing a piece on the potter’s wheel, the conceptualization of the shape can be reduced to a single line of curve transitions, which represents one half of the symmetrical cross section. these curve transitions and balance of form have much in common with constructing curves in letter forms. —zuzana licko

design with Readymag
editor-in-chief
diana kasay
editor
zhdan philippov
layout designer and art director
stas aki
issue designer
tatiana egoshina
text author
vitaly volk
photo editor and content manager
tsvetelina miteva
photo
courtesy of emigre
stories. emigre

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