our emigre collaboration works because we each control a distinct part of the equation. i control my typeface designs, rudy controls the magazine, and emigre is the symbiosis. —zuzana licko

 

Cover Story No. 1. Digital pigment print

interview master

One could say that the magic of Emigre magazine came from three key elements: Zuzana’s fonts; a layout to demonstrate their potential; and Rudy’s extraordinary interviews. It’s often said that only a small portion of the audience bothered to read Emigre thoroughly, so visually astonishing were its layouts, however those who did, discovered deep insights about design culture. It’s lengthy interviews featured an international roster of designers like Vaughan Oliver, April Greiman, Wolfgang Weingart, David Carson, Hard Werken, The Designers Republic, and Experimental Jetset to name just a few.

 

 

it’s not so much a problem of being a woman in a man’s world, it’s being a type designer in a world that gives little recognition to this art form, and i find this disillusioning. —zuzana licko

Cover of The Emigre Catalog 1998. A number 98 on a white and yellow background