[at the sea ranch] barbara stauffacher solomon painted supergraphics on the monochrome interiors: numbers, stripes, dots, and arrows, adding a layer of pop iconography within the still-sober weathered form. the combination of timelessness and whimsy, landscape form and antic decoration, made the sea ranch highly photogenic and instantly influential. —alexandra lange, architecture and design critic

solomon’s scanlan’s design was unique for counter-culture publications at the time. although swiss modernism was a common corporate design language, it was foreign in this context. —steven heller, journalist and graphic design historian

Scanlan's Monthly Magazine cover with four cover stories
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