i consider artistic efficacy in our industries as a personal creative input that does not dissipate in some purportedly original items, but rather must recognize that an anonymous shape can be the perfection of an object. —wilhelm wagenfeld

Wilhelm Wagenfeld explains his award-winning glasses, vases, and cutlery

from top designer to soviet prisoner and back

Wagenfeld participated in the legendary Metropolitan Museum’s Exhibition of Contemporary Industrial Art in 1930, which had a significant influence on the development of American design. After this, he became a teacher at the government arts college in Berlin and remained there until 1935. During the Second World War Wagenfeld refused to join the Nazi party, and was sent to the Eastern front to fight. Captured by the Russians in 1945, he spent the rest of the war in a Soviet prisoner camp. Afterwards Wagenfeld returned to a prominent position within the German design community, receiving numerous teaching appointments and commissions from design brands.

objects must do us good and make us take notice and think about them. —wilhelm wagenfeld

Wilhelm Wagenfeld wearing glasses, looking into camera