discovering hakenkreuz

Deffke’s version of the ancient Hakenkreuz (“hooked cross”) first appeared in Wilhelmwerk’s trademark brochure ‘Handelsmarken und Fabrikzeihen’ (1917): a clean-cut take on the powerful mark that over the centuries surfaced in many different cultures and contexts.

According to Deffke’s former assistant Mana Tress, the proportions of the Nazi swastika were inspired, or possibly even copied from the designer’s brochure, with minor alterations. But unlike a handful of modernized marks for the German military and propaganda materials commissioned by the Weimar Republic, that one Deffke didn’t create on a government assignment.

Black Hakenkreuz on a white background
German Reich coat of arms. Black bird on a white background

if a trademark is created by competent hands, it will gain in importance, as it, in conjunction with other advertising means, reappears in ads in newspapers and magazines, business papers and brochures, on factory walls, vans and trucks. —wilhelm deffke

Eisenhand. Black iron glove on a white background

Eisenhand, 1920.

design with Readymag

editor-in-chief
diana kasay

editor
zhdan philippov

creative director
anton herasymenko

layout designer and art director
stas aki

issue designer
sergey kovalchuk

text author
anya filippova

photo editor
anya lysyak

translator
howard goldfinger

content manager
tsvetelina miteva

stories. wilhelm deffke

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