Twen (short for ″twenty″) was a magazine for the first generation of postwar teens and young adults. It was a wild conglomeration of the controversial ideas and blooming freedoms of the 1950s. A big part of the impact came from Willy Fleckhaus’ design: a 12-column modular grid with already familiar blown-up headlines set in Schmalfette Grotesk; psychedelic illustrations; extremely tightly cropped or enlarged black-and-white photos, and, of course, a lot of white space perfectly arranged on the page. Twen was stunning, groundbreaking, sometimes shocking (Fleckhaus used a photo of his wife giving birth in one issue) and definitely something that had never been seen before.