introducing
New web fonts
We are happy to announce our partnership with type.today. Six superb typefaces from their collection enriched our Font Library.
Graphik
Graphik was inspired by less common 20th century sans serifs that many European foundries released to compete with Futura and Helvetica. First drawn as the house style for Schwartzco Inc., it was further developed for Condé Nast Portfolio and later for Wallpaper* and T, the New York Times Style Magazine.
by Christian Schwartz, Commercial Type, and Ilya Ruderman
Austin
Austin was originally designed as headline type for Harper’s & Queen fashion magazine by Paul Barnes. The author himself describes the face as “a British Modern with the styling and sheen of New York in the 1970s.”
by Paul Barnes, Commercial Type, and Ilya Ruderman
Giorgio Sans
Giorgio Sans was created by Christian Schwartz for the New York Times’ style magazine. The distinguishing feature of the typeface is the extreme x-height and short extenders.
by Vincent Chan, Christian Schwartz, Commercial Type, and Ilya Ruderman
Kazimir
Kazimir blends various features of pre-revolutionary Russian typography with contemporary ideas of fashion, form and harmony. The face has slightly narrowed proportions, reminiscent of the rhythms of transitional serifs.
by CSTM Fonts, Yury Ostromentsky, Ilya Ruderman
Kazimir Text
Compared to Kazimir, Kazimir Text has a bit wider proportions, a bit lower contrast, and much wider codepage with extended language support.
by CSTM Fonts, Yury Ostromentsky, Ilya Ruderman
NWT Bodoni
This distinctive typeface is based on the letters as drawn in Manuale Tipografico, a book by punch-cutter and publisher Giambattista Bodoni. The typesetting is compact and even, as the designer of the face Elena Novoselova created it specifically for text sizes.
by Elena Novoselova
All these typefaces are available in the Font Library and are ready to become part of your projects.
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