2nd place

1st place

1/8

Materialist

Another cool approach to animation: begin scrolling down the first screen and see the text smoothly shrinking, leaving only room for the website menu. It expands and takes up half of the screen.

271

Kiwie

Clothing brand Kiwie’s online shop is organized into different-sized cells, like a custom table in Excel. Each cell presents a placeholder for information—be it a new product reveal, purchase button, or size tab. This creates a beautiful feeling of structure and organization.

1st place

2nd place

Obraz 27

The combination of on-scroll animations, beautiful 3D renderings, clean fonts and a minimalist layout makes the website of Obraz27 visualisation bureau really spectacular.

1/5

236

1/12

Grids

Obys design agency explores their favourite grid-based layouts in a heavily animated, typographically rich editorial. A tour de force, for both the designer and Readymag.

507

1/9

Organic crystals

An artistic collaboration between Michael Joo and Danil Krivoruchko, OG:CR transforms static NFTs into a flourishing digital reefscape, where each piece grows every time it’s resold. Website designed by Anton Repponen.

315

Koryo-saram

Koryo-saram is the name ethnic Koreans use to describe themselves in most former Soviet areas. This editorial presents an illustrated chronology of the departed Soviet Koreans. The Dynamic layout transforms by the events of history using interactions with images, contrast and archival documents.

1/10

127

Ros Knopov

With its robust layout and practical typography, Ros Knopov’s personal website is a content-focused, no-nonsense showcase of his impressive, multifaceted works.

1/10

2nd place

1st place

1/5

Tumulus Design

This carefully orchestrated mayhem of fonts, images, colors, and banners is a bold experiment, as well as a portfolio and point of sale. All gathered in cyberpunk graphics with exuberant hyperlinks. Design for a dystopian future.

337

The future of NFT art

This thoroughly structured, massive research project plays around with figures and shapes; composing the visual identity of the work only through these means.

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