B

etween 1922 and 1936, peter behrens taught at the vienna academy of arts while maintaining his architectural office in Berlin. During the

1920s and 1930s, he did practically no work as a designer but was very active as an architect, producing plans very much in the spirit of the architectural avant-garde. His high-rise hoechst company office building (1920–1924) in Frankfurt is one of the most effective

examples of expressionism in architecture, while his buildings from the second half of the 1920s are modernist.

 

Headquarters of the Hoechst AG. Architect peter

behrens, built in 1920–1924. © AKG/East

 

Interior of Hoechst AG headquarters,

ceiling view. Photo courtesy of Stern

 

The first of these--new ways (1923–1925), a 

villa in Northampton--was built for wenman joseph bassett-lowke (who had used the services of charles rennie mackintosh to design the interior of his Northampton townhouse just a few years before). new ways is considered the first modernist building in Britain. While the home has the two most essential features of the modern style--white walls and a flat roof--it also has symmetrical facades on which, if examined closely, there are here and there whimsical art-deco-style ornaments. behrens’ later buildings— for example, his work for the Weissenhof Estate, a model village near Stuttgart that was featured in one of the regular Werkbund shows (1927–1928), his apartment building in Berlin on Bolivar Allee (1930), the Hans House in Kronberg (1929–1931) and Berolina House on the

Alexanderplatz in Berlin (1929–1932) are canonical examples of “international style.”

 

 

 

In 1936 behrens accepted a faculty position in architecture at the prussian academy of arts in Berlin. It is common knowledge that hitler

very much admired behrens’ German Embassy building in Petersburg. Toward the end of the 1930s albert speer, with hands-on assistance from hitler, developed a plan for the rebuilding of Berlin. A key place in the new Berlin was to be occupied by a new headquarters building for aeg, and the commission was given to behrens. His sketches for this project were his last.

Weissenhof Apartment House. Architect

peter behrens. © Deutsche Zentrale für Tourismus e.V. (jochen keute)

 

Interior of Hoechst AG 

headquarters, ceiling view

 

design with Readymag

Peter Behrens

by Enso Magazine



a design web tool that helps create immersive digital experiences without hassling with code.

Text

Artem Dezhurko

 

Creative Direction

Anton Herasymenko

 

Art Direction & Design

Pavel Kedich

 

Photo Editing

Yulia Lukina-Kuranova

 

Special thanks to

Diana Novichikhina

Howard Goldfinger

 

Set in FF Basic Gothic by Hannes von Döhren and Livius Dietzel. Botio Nikoltchev’s Quasimoda is used for headlines.

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